Archive for August, 2011

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By Daniel Davidson

When you hear Teflon Don, you may immediately think of the Rock Ross’ fourth studio album, or maybe the high profile mob boss that was likened as “The Teflon Don” due to his ability to slide away from the law.  If for some reason you thought of the rapper from Memphis, Tennessee who goes by Teflon Don, then kudos.

Teflon Don, a.k.a. Donald Askey, Jr., mostly known for his Memphis Grizzlies anthem, has filed a Federal lawsuit against Rick Ross for trademark infringement as well as common-law trademark rights, trademark delusion, unfair competition, tortious interference, fraud and identity theft, according to MemphisRap.com.  Named Defendants include Ross, DJ Khaled, Def Jam Recordings, Universal Music Group, Slip-N-Slide Records and Maybach Music Group.

As already mentioned, John Gotti was also known as “Teflon Don.”  In response to this, Askey, Jr. says that he was given the name while serving as a cook in the Army and that he did not rip it off of Gotti.

This lawsuit serves as round two for Rick Ross in trademark infringement battles.  He was sued by drug boss Ricky “Freeway” Ross who alleged that the rapper ripped his name off.

In the case at hand, some may think, “well, Askey uses ‘Teflon Don’ as his rap name and Ross used it as his album name.  Those are two different things.”  The answer to that is simple.  Infringement can still take place even if the trademark is not being used for the exact same thing.  A trademark owner has rights to enforce its mark in the particular class of goods or services it is currently registered in as well as those classes of goods or services to which it will “naturally expand into,” according to the Zone of Natural Expansion doctrine.

Good luck gentlemen.  Cheers.

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Aaron Thalwitzer

We all know Apple moved to enjoin Samsung in its US patent suit over the iPad (among other many things). Samsung filed its opposition brief, in which it makes a claim that makes a great forest for the trees argument. In its brief Samsung cites classic but still mostly boring movie 2001: A Space Odyssey, in support of its argument that the design of the iPad is prior art. The more I think about it, the more of a point I think they’ve got. The tablet-style computer is so ubiquitous to sci-fi that it goes unnoticed – except that the iPad and its kin have mostly exceeded the fictional capabilities of these formerly futuristic devices. The following image shows the content of page 2 of an exhibit filed by Samsung with the U.S. District Court for the Northern District of California (click to enlarge): Samsung argues that the pic from 2001 is valid prior art for an iPad-related design patent:

Attached hereto as Exhibit D is a true and correct copy of a still image taken from Stanley Kubrick’s 1968 film “2001: A Space Odyssey.” In a clip from that film lasting about one minute, two astronauts are eating and at the same time using personal tablet computers. The clip can be downloaded online at http://www.youtube.com/watch?v=JQ8pQVDyaLo. As with the design claimed by the D’889 Patent, the tablet disclosed in the clip has an overall rectangular shape with a dominant display screen, narrow borders, a predominately flat front surface, a flat back surface (which is evident because the tablets are lying flat on the table’s surface), and a thin form factor.

According to ABC News, science fiction writer Arthur C. Clarke called the device in 2001 a “Newspad,” and in the book version of 2001 described how a user “would conjure up the world’s major electronic papers; he knew the codes of the more important ones by heart, and had no need to consult the list on the back of his pad.” He went on: punch in the code for a story and “the postage-stamp-size rectangle would expand until it neatly filled the screen and he could read it in comfort.” While Samsung’s argument is quite ingenious, let us not forget the true innovator here – and it’s not Kubrick, Clarke, Samsung, or Apple. As usual, Star Trek beat everyone to the punch. Star Fleet has been using these devices (known as a Personal Access Display Devices, i.e. PADDs) since the 1960s. According toMemory Alpha:

PADDs were used by such space-faring organizations as Starfleet, the Andorian Imperial Guard, Bajoran Militia, Cardassian Union, Klingon Empire, Romulan Star Empire, and Vulcan High Command.

For reasons wholly personal, I would enjoy seeing Samsung hook the court on this argument. First, it feels right, and it’s a creative argument. Second, it’s fun and, better yet, sci-fi fun. I like Apple products, but right now, I prefer Samsung’s lawyers (especially in light of Apple’s lawyers recent ethically questionable practices).

 

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Danie Roy

If you know anything at all about patent law, you absolutely have to know the three requirements for patentability: the invention must be novel, non-obvious, and useful. That’s why, if you ever have or ever will study for the patent bar, 35 U.S.C. §§ 102, 103, and 101 are drilled in to your head, respectively.

The requirements are pretty straightforward, once you understand what they mean. Novelty is pretty obvious: is it new and different from everything else out there? Non-obvious is slightly more fuzzy: would someone of ordinary skill in the field of the invention have come up with the idea of putting the invention together on his or her own? Useful is pretty much what it sounds like, too: does it have a specific and substantial credible (legal) utility?

I know, I know, we're getting to the good stuff, I promise.

The requirements of §101 (also found in MPEP §2107), is why a lot of things cannot be patented: perpetual motion machines, resurrection burial tombs, and walking through walls.  There is no credible utility for any of them. They all defy the laws of physics and science as we know them. That doesn’t mean some people won’t try.

First up: the perpetual motion machine, U.S. Published Patent Application No. 2007/0246939. It’s not much to look at, mostly rough drawings of a machine that the applicant claims can run forever. The application was abandoned in 2008 for failure to respond to an Office Action, in which the Examiner predictably cited §101 – invention is inoperative and therefore lacking utility. The examiner then proceeded to point out that the claimed invention violated the laws of physics.

Next, we have the resurrection burial tomb, U.S. Published Patent Application No. 2005/0027316. This one has a four-page long first claim (which I couldn’t follow), but I gather that the method borders on what Dr. Frankenstein used in creating his monster. The application was abandoned for failure to respond to an Office Action/failure to pay filing fee for Appeal. For this particular application, I believe I saw six different rejections, among them, §101/§112: no credible utility/failure to enable use of the invention. Most amusing part? The application claims priority from or is a continuation/continuation-in-part of 13 different applications, all expired or abandoned except one: a microwave hot water boiler heating system. How we got from heaters to resurrection, I’m definitely not sure.

Finally, the walking through walls training system and method, U.S. Published Patent Application No. 2006/0014125. I think the most interesting part of this one is the use of algorithms for storing hyperspace energy. They make up most of the application, really. This application was also abandoned in 2008 for failure to respond to an Office Action. I have to hand it to this Examiner: the claims were rejected on three separate grounds. Rejection 1: 35 U.S.C. §101 and §112 first paragraph: no credible utility and defies the laws of physics/unable to use invention as disclosed. Rejection 2: 35 U.S.C. §112 second paragraph: failure to point out and distinctly claim what the applicant regards as his/her invention (wasn’t specific). And, my favorite, Rejection 3: 35 U.S.C. §103: OBVIOUS.

Okay, to clarify, the training system was rendered obvious in light of a dancing training system. Both systems used printed banners to show where to step next. But, still, I let out a little bit of a guffaw when I read that.

The lesson to be learned here? If your invention stands to redefine life (or death) and/or the laws of physics as we know it, ask a registered attorney or agent first. If you can’t prove your invention works or that those laws are wrong, the registered practitioner can save you a lot of time (and money).

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By Rene Dial

Toucan v. Toucan well kind of.

It seems like I have been doing nothing but writing about trademarks lately.  Well that is because the news has been saturated with claims of trademark infringement and consumer confusion.

The newest, to me, in trademark litigation is Kellogg filing an action against a non-profit organization over the toucan logo registration No.  1979527.  As I do not have the complaint I am not sure if they are opposing the registration of MAI’s mark, serial No. 85062781 or if they actually filed suit after MAI’s mark was published for opposition.  Trademarks are published for opposition to give anyone that feels that they may be harmed by the mark an opportunity to oppose.

When I say Toucan Sam, Fruit Loops will typically come to mind, even though I have not seen a Froot Loops commercial in a while.  Well Kellogg has decided to sue the organization Maya Archeology Initiative over the use of a toucan with a Mayan pyramid in the back ground with regard to clothing. MAI’s initiative is “To provide educational opportunities and training in Mayan history and culture for Guatemalan young people.”  

As you can see MAI’s toucan looks nothing like Toucan Sam.  From the article I read on bakeryandsnacks.com, Kellogg is worried that there will be consumer confusion over the toucans when used in connection with the clothing classification of goods.  From my research on USPTO.gov Kellogg registered their mark on May 1, 1995 for clothing related items.  Maya Archeology Initiative registered their mark June 15, 2010 for clothing related items. 

Toucan Sam’s notoriety came from Froot Loops not shirts.  If I see Toucan Sam on a shirt I think of cereal not Mayan archeology. I am not going to think of high quality when I think of a shirt bearing the Fruit Loops’ logo.  Nor will I think of the quality of a shirt when I see MAI’s logo.  Then MAI’s logo has a Mayan pyramid.  Toucan Sam is a stylized particular looking toucan with no other items contained in the logo.  It seems that Kellogg is under the assumption that only they are allowed to have an article of clothing with a toucan on it.

Rest assured Toucan Sam I don’t believe you are in any danger of being replaced in the public eye and I do not foresee MAI making cereal any time soon.  Now I am thinking of coo coo for Cocoa Puffs isn’t that a chicken?

Have a great weekend!

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Scott Nyman

 

Recently, my sister told me about a new music player (at least to the US), Spotify. Apparently, this social, music streaming application has gained a large following in the European countries. The feature that sets Spotify apart from other media players is the ability to stream songs from the playlists of your friends and other various internet sources at no direct cost to the user. So, with the recommendation from my sister, and the desire to use a music player that is a little lighter than 80MB of sloppy code it takes to download iTunes (I wouldn’t be shocked if iTunes 11 turns out to be a 4.5GB download), I took the plunge into Spotify.

So, how is Spotify? At first glance, the interface resembles iTunes enough to be familiar. However, the interface also differs enough that you know you’re not using Apple’s media playing application. There is one major distinction, however. Spotify has ads. These ads are displayed in the interface, interjected between any music you stream, and are annoying. To be fair to Spotify, you can eliminate these ads with a monthly payment.

The key feature of Spotify is the ability to stream and listen to music that is not in your library. This is the first piece of software that I’ve encountered that provides an easy-to-use interface to accomplish this task. However, PacketVideo, owner of U.S. Patent No. 5,636,276, titled “A DEVICE FOR THE DISTRIBUTION OF MUSIC INFORMATION IN DIGITAL FORM,” believes they have seen this before. PacketVideo has demonstrated this by filing a complaint, alleging patent infringement, with the United States District Court for the Southern District of California. The full complaint and related patent can be found here.

After a brief review of the patent (and I mean brief), the claims seem to be broad and the specification appears to be light. Of course, Spotify’s defense will allege the classics: 1) Spotify does not infringe the patent, and 2) the patent is invalid, and thus can’t be infringed. From my brief look at the patent, I believe the second argument will be the stronger argument, potentially resulting in PacketVideo losing at least some of the scope covered by their patent. However, if I were a betting man, I’d predict that this case goes away in the form of a nuisance settlement, for an undisclosed amount less than the cost to defend against this claim. This is probably wise for Spotify, since they’re going to be spending a whole lot more after Apple initiates suit against Spotify alleging infringement. (I’m calling it now!)

 

I have pasted the first, and only, independent claim for the ‘276 patent below. Take a look!

A device for the distribution of music information comprising:

a central memory device which is connected to a communications network and has a databank of digitized music information and, a terminal which is connected to the central memory device via the communications network, the central memory device being equipped with a retrieval module and the said modules having the capability to interact via the communications network in order to order and transmit selectively chosen music information, wherein the selectively chosen music information is organized with a defined format for transmission in a digital music information object, the format including a core and a number of additional layers, the core including at least one object identification code, object structure information, a consumer code and an encryption table and the one or more additional layers including the actual music information, wherein the central memory device has an encryption module for encryption of the music information object before transmission using the encryption table, and

wherein the terminal has a decryption module for decryption of the music information object before its reproduction using the encryption table, an interpretation module for interpretation and reproduction conditioning of the music information object as well as an authorization device having identification information for identification of the terminal and of the consumer which is retrievable by the interpretation module and by the decryption module for authorization checking.

 


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